Art Spiegelman, the graphic novel, winner of the Pulitzer Prize, Maus, is a landmark in taking into account the holocaust and discovery in serious comic art-but its complete achievements are more remarkable and more eclectic. Art Spiegelman: The disaster is Muse Muse follows its beginnings in the 1960s as co-cretor of Wacky packages trading; Its co-founder of the magazines of underground drawn drawing Arcade (with Bill Griffith) and Raw (with the wife Franรงoise Moully); In the shadow of No Towers, his reaction on September 11, inspired by the witness of the attacks in his house in Manhattan de Jos; Its controversial covers for New Yorker (1993-2003) that caused NYPD to paint the magazine office; and his public response to Maus’s recent ban by a Tennessee school council. Spiegelman proves an eloquent guide through his provocative work, along with contemporaries (Robert Crumb, Gary Panter) and younger cartoonists (Joe Sacco, Jerry Craft, Molly Crabapple), inspired by Spiegelman’s careless confrontation of personal traumatic themes.
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